Exactly one year ago today news broke out that Priscilla Opoku Kwarteng, the sensational Ghanaian singer who had released so many hit songs, had passed away through a road accident.
Her accident brought back a lot of memories as to why road accidents still continue to wipe away a lot of Ghanaian talented artists; talk of Suzzy Williams, Terry Bonchaka, Kwame Owusu Ansah etc.
Obviously, Ghanaians are waiting to celebrate the one year death anniversary of the late female dancehall sensation, Ebony Reigns who died in a gory accident on the Sunyani-Kumasi highway.
Ebony aged 21, died alongside her bodyguard, Frances Atsu Vondee and her female friend, Franky Kury around the late hours of February 8th 2018.
Ghanaian Diva, Ebony Reigns died on February 8, 2018, in a gory car accident on the Mankranso-Kumasi highway.
It’s almost a year since the sad incident occurred and her father, Mr Opoku Kwarteng in an interview with Sammy Flex on Zylofon FM today, January 8, 2019, was all emotional as Ebony’s “Maame Hwe” hit song played on.
The majority of Ghanaians have concluded that Ebony’s dad is ‘fighting’ with her daughter’s former manager, Bullet because of money and nothing else — sure the man himself confirmed it during his recent interview with Regina Van Helvert on GhOne TV’s Rythmz Live.
Mr Opoku Kwarteng stated that whatever he is doing is in the interest of her late daughter, he said, “Everything I do is in the interest of my daughter”.
The father of the late Ebony Reigns, Mr Opoku Kwarteng made some shocking revelations concerning the death of her daughter and how her manager, Bullet schemed up to cheat him of the money due him after Ebony’s demise.
Mr Kwarteng in an interview with Regina Van Helvert on GhOne TV’s Rythmz Live came out with a list of artistes who took money to perform at her daughter’s tribute concert given to him by Bullet.
The father of the late Ebony Reigns, Mr Opoku Kwarteng in an interview with Regina Van Helvert on GhOne TV’s Rythmz Live levelled various allegations against the former manager of her daughter, Bullet.
One of the damning allegations he levelled against the CEO of RuffTown Records, Bullet was that he [Bullet] hand in her daughter’s sudden and painful demise.
The controversies surrounding the monies accrued from the tribute concert organised in memory of the late Ebony Reigns keeps unfolding with a lot of ‘fire’. The father of the late dancehall diva, Mr Poku ‘Starboy’ Kwarteng has alleged on various media platforms that the former manager of his daughter, Bullet, cheated him out of the profit he got from the tribute concert they organised in her memory.
One name which has sprung up in the new controversy, Edem, the boss of the VRMG label is not taking the mention of his name lightly. Edem’s name was added as a part of the list of disbursement of money to artistes who performed at Ebony’s tribute concert.
Chief Executive Officer of Ruftown Records, Bullet, thought the fire from Mr Opoku Kwarteng, dad of the late 90’s bad gal was quenching soon as he handed over her unreleased songs yesterday but sadly that looks like his vain night dream.
Mr Kwarteng today released some images some purported disbursement of funds for artists who came to perform at the concert in memory of the late Ebony Reigns.
Ghanaian music producer and CEO of RuffTown Records, Ricky Nana Agyemang popularly known as Bullet has revealed that the foundation that was set up in memory of the late Dancehall Diva who died in a gory car accident early February 2018 has been paused due to a misunderstanding between the father of late Ebony, Mr Opoku Kwarteng and RuffTown Records.
Bullet speaking on Daybreak on Hitz FM said RuffTown Records halted everything because Mr Kwarteng has not been sticking to his words.
Mr, Opoku Kwarteng, a father to the late Ghanaian dancehall queen Ebony who died as a result of a head to head collision in the early weeks of February, has said he cannot wait to bring out what he has been keeping after the death of his daughter (Ebony Reigns).
The dancehall artiste received a lot of critics on all social media platforms because of the way she portrayed herself on stage which was as a s*xy dancehall stage performer.
